Sin-Virtue Journey: Pride to Humility
Belief: I belong because I work harder, am a team player, help wherever I can, and earn it.
Deepest Fear: Being seen as or realizing I am worthless.
Deepest Desire: To add value to the world around me.
How they see/justify their sin: With all I do, appreciation and acknowledgement are the least of what I am entitled to as a human being.
The 2 Types are the quintessential sidekicks. They are LeFou, Beauty and the Beast; Kenneth Parcel, 30Rock; and Samwise Gamgee, Lord of the Rings. They are the relentless optimists, hardest workers, and willing to do anything to be of service to the world around them. Their conclusion is that being “helpful” is the greatest good, in fact, more people should just be… helpful.
Their sin of Pride isn’t what you might think. It’s not arrogance. It’s a belief that with all the work they’ve done, they deserve their spot at the table, acknowledgement from the person they serve, and appreciation that any social convention would demand when someone has sweat blood to make an enterprise or other individual successful. Their belief is “I deserve to be thanked” and “my hard work has earned me my place here.” Their value, thus, is what they do. So they are intent listeners, frantic servants, and loyal companions.
Their journey is toward humility. And their integration lines help with that immensely.
2 wing 1 | Wonder Woman
The smash superhero hit Wonder Woman shows a mindset that might not be completely in synch with the original character or the animated kids show representation, but Gal Gadot’s Wonder Woman is an excellent example of a 2w1.
We find her an optimistic young girl who just wants to be a part of the tribe. She learns of the story of their origin and their responsibility as Amazons (to protect the world from Ares, the God of War). It’s from that moment on she trains so she can contribute to the cause. And she becomes amazing.
Throughout the story, however, she displays an incredulity at both why people would ever engage in war (she’s convinced there’s no other explanation than that “mankind” has been brainwashed by Ares) and why the people with power refuse to act quickly or decisively.
Diana’s first trip to the front lines is overwhelming to her. She sees animals trapped in mud, a soldier with a leg blown off, and a mother holding a crying baby and she feels compelled to help them all (demands it even).
What’s interesting about Diana is that you have a 2 (the compulsive “helper”) with almost unlimited power. What you may not know is that Wonder Woman has been a challenge for writers. It’s taken years to find a director who would take the Wonder Woman story. The complaint has been “she’s unrelatable.” She’s almost invincible, has no iconic nemesis, and was raised in a totally foreign manner to the common person. To have a compelling protagonist they have to fall at some point, they have to face life or death, have to overcome their greatest weakness and face their greatest fears.
What the Wonder Woman story did was to give a “2” too many people to “help.” It was brilliant. It worked because it was relatable. With all her power she couldn’t accomplish what she wanted. At the same time, she proved she could eventually make people stop fighting but then faced the deeper issue: running away from the disintegration to the Lust-for-Power 8 and choosing to stay compassionate.
We see her 1 wing in her constant mantra for justice. 2w1’s have a distinct trigger when the situation is unfair or when people are bullied. Diana’s explosion at the British Intelligence meeting is a perfect example of a 2w1 tapping into their righteous motivations.
2 wing 3 | Leslie Knope, Parks and Rec
Amy Pohler’s hit show Parks and Rec follows the adventures of a small town governmental office overseeing the city’s parks and community events. I’ve gone back and forth on if Leslie is a 2w3 or a 3w2. She certainly has the ambition and obsession with achievement and success to support the 3 theory. What I believe makes her a 2, however, is her self-policing. She often will say an aggressive or critical remark in the midst of a debate and then almost immediately correct herself and state the truth (which almost always fails to support her stance). For example, she’ll say “Ann, you are so stubborn!” and then immediately “That’s not true, you’re a beautiful warrior princess and I love you.” This isn’t typical of a 3 who would value winning above helping and would rather use psychological savvy rather than blatant debate.
At some level, though, Leslie does care about what people think of her. She’s dedicated to the people of her small town of Pawnee and loyal to a fault to her team of employees. The entire series begins (and carries through for the first couple seasons) with her desire to help Ann with her problem of a pit next to her house. She never rests until it’s done and she can fulfill her promise.
Where we see the 2 most clearly though is when she gets the briefest of affirmation from her stubborn boss Ron Swanson or later, the annoyingly perky Chris Trager. Where we love to see Leslie best are the moments when she realizes that her value isn’t in what she does but in who she is. That’s the healthy integration to the 4: my value is inherent and not tied to my actions.
2w1’s help the people they love (and they have huge hearts) because they believe it’s the right thing to do. 2w3’s by contrast help others because of who they believe it means they are (they’re “good people” and just as successful as those they help).
The 2 type is journeying from pride to humility. Their need for appreciation, acknowledgement, or affirmation is relinquished as they move toward their virtue of humility and begin to also live into the virtues of their integrated 4: equanimity. Healthy 2’s migrate from the need for validation because of what they do and instead find value inside. They don’t need others to see their worth, they embrace it themselves. They matter because… they do. They’re just as special as everyone else and completely unique just the way they are.
At their worst, 2’s live into the betrayal of those who have failed to see them as worthwhile and begin to take that power for themselves by living into the sin of the 8: Lust. Not a sexual lust, mind you, but a lust for power. 2’s instinctively go above and beyond to be recognized for their contributions, in their mind it’s undeniable that they matter. But given enough rejection, oppression, being taken advantage of, or bullied and 2’s will flip. They’ll break rules, get vengeful, and end up bitter.
2’s are notoriously support characters. They’re lovable, often the comic relief, and loyal to a fault. The challenge with making a 2 a protagonist is in separating them from the rest of the herd so we can watch their story. That being said, 2’s are the iconic underdogs. They are easy targets for bullying (because it’s not often important to them to get on the level playing field with other types, many of whom are more selfish, self-absorbed, or competitive). We want the 2’s to win because everyone can see some of themselves in the 2.
For antagonists, consider that the storyline for a 2 villain is a character who has been hurt. Bullied victims who work to regain some kind of power or a character who spends time planning or enacting some revenge are good places to start. Just remember: a 2 has been rejected in some form to turn them to the dark side.
Consider Rowan North from the Ghostbusters remake (with Melissa McCarthy and Kristin Wiig). Here you have a janitor at a hotel who is constantly taken for granted, ordered around, and spoken to like a second-class citizen. He begins to put things in motion to release ghosts into the world as a way of punishing those who have hurt him. We want him to take the advice of the ghostbusters and realize that he’s worth being treated with respect and dignity. He doesn’t and we get an epic interdimensional battle.
Andi Sachs from the movie The Devil Wears Prada is a great example of a 2’s victory. At the end of the movie she walks away from her controlling boss, throws her phone in a fountain and never looks back. She bravely walks away from the source of her (albeit limited) affirmation and reclaims her individuality and lives into her 4.
2’s are idealists. They live into utopian fantasies about life, about how people should act, about how close the world is to perfection, and tend to believe the best about people. A broken 2 will be uncharacteristically skeptical about people, hesitant, and vigilant about boundaries. They want to believe the world is a wonderful place and may live on a perpetual roller coaster of hope and disappointment.
Elphaba, Wicked (Broadway)
Edmund Dantes, The Count of Monte Cristo
Kimmy Schmidt, The Unbreakable Kimmy Schmidt (TV)
Wormtail/Peter Pettigrew, Harry Potter (series)
Dory, Finding Nemo/Finding Dory
Mia Thermopolis, The Princess Diaries